Cello Bows

Arcos Brasil         Arcus        CodaBow         Core Select

Bows for Professionals (Classical)

For the professional seeking a primary bow for orchestral or studio work, a fine pernambuco bow is something to consider, particularly if a darker sound is desired (pairing with a brighter instrument). For professionals seeking greater power, dynamic range, or agility, a carbon fiber bow may be a better fit. Much depends on the instrument and the player's tastes and priorities. We invite you to contact us to arrange a time to talk by phone. We've been matching professionals with their ideal bows for many years - let us share our experience and guide you in your selection.

For any player struggling with tendinitis or arthritis, a lighter Arcus bow may help tremendously with hand/arm fatigue and pain.

For professionals seeking a bow for outdoor work, for international travel, or as a backup bow, a mid-priced carbon fiber bow can be an excellent choice.

  • Arcus S9 Cello Bow - Octagonal

    Arcus Cello Bows

    Modern bows for the professional player. The strength and lightness of Arcus bows results in a speed and agility simply not possible with traditional bows. Multiple lines available to match the tonality of your particular instrument. Nuanced, unparalled performance.

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  • Arcos Brasil Pernambuco Cello Bow - Silver Special

    Fine Pernambuco Bows

    For the player seeking a fine, traditional, pernambuco wood bow.

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  • CodaBow Diamond GX Cello Bow

    CodaBow Diamond GX Cello Bow

    For professionals seeking a traditional weight and balance in a high-end carbon fiber bow, our first recommendation is the CodaBow Diamond GX. Superb handling. Beautiful, complex, warm tone.

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Bows for Beginners

The beginner will benefit from a bow that feels solid and stable in the hand (tip-heavy) and has a soft, forgiving attack. Beginners should avoid cheap bows that may be warped, twisted, or overly-flexible, bows with a sharp, bright attack (that would emphasize squeaks and squawks), and ultra-light bows that require a professional's hand to keep stable. Often, a good quality carbon fiber bow will be the best choice.

  • CodaBow Diamond NX Cello Bow

    CodaBow Diamond NX Cello Bow

    A significant step up from the typical beginner bow, the Diamond NX has a balance and handling that allow beginners to learn proper bowing technique from the start. Stable feel, easy handling.

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  • Arcos Brasil Pernambuco Violin Bow - Nickel

    Pernambuco Cello Bows

    For some instruments, a finely crafted, well-balanced, straight, pernambuco bow can be the best fit.

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  • Core Select Model 100 Cello Bow

    Core Select Carbon Fiber Cello Bows

    Core Select bows are well-made, sturdy, solidly-constructed bows at a budget price. Balanced slightly toward the tip, Core bows have a steady feel and help the beginner to draw a smooth tone.

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Arcos Brasil Pernambuco Cello Bow - Silver Special

Arcos Brasil

Traditional, Wooden (Pernambuco) Cello Bows of Exceptional Quality.

Hand-crafted in Brazil from select, aged, Pernambuco wood, Arcos Brasil is well known for the quality of their materials and the extraordinary level of fine craftsmanship they bring to each and every bow. Beautiful, warm, complex, nuanced tonality.

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Arcus S9 Cello Bow - Octagonal

Arcus

Light-Weight Carbon Fiber Cello Bows for Professionals - Lightweight, Powerful, and Lightning-Fast

Extraordinarily lightweight, these bows have an agility and speed simply not possible with traditional bows. They produce a beautiful, complex tone. But, the real draw is how they feel in the hand and how they touch the strings. Particularly with the upper level Arcus bows, the performance is clear, smooth, and effortless. They also have the advantage of allowing the player to practice or perform for hours with little hand and arm fatigue (since the hand has much less weight to hold). A must-try bow for all professionals.

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CodaBow Diamond GX Cello Bow

CodaBow

Carbon Fiber Cello Bows for Professionals and Students - Responsive and Well Balanced

CodaBow bows are meticulously crafted in a small shop in Minnesota, under the direct supervision of the company's founders. Outstanding quality. Perfectly balanced, agile, with a beautiful, complex tone. A variety of models, designed for beginners and professionals. CodaBow is one of the only makers to produce bows designed specifically for the needs of fiddlers and folk players (Joule and Luma Models). We highly recommend.

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Pernambuco Cello Bows

Pernambuco, the traditional wood used in bow making, is prized for its resilience and tonal characteristics. There is a joy in crafting a bow from fine wood, and each bow is as unique as the wood from which it was made. Pernambuco tends to produce a dark, complex tone, and therefore pairs well with bright sounding instruments. Pernambuco wood is endangered and increasingly difficult to obtain, so fine Pernambuco bows are valuable. Although most professional classical players still choose to keep a Pernambuco bow in their case, many now also keep a fine carbon fiber bow. And, students generally find that a carbon fiber bow is a better value.

Carbon Fiber Cello Bows

The craft of making bows from synthetic materials has seen extraordinary advances.  Of course, there are still poorly made carbon fiber bows, just as there are poorly made wooden bows.  And, these cheap bows tend to give the carbon fiber industry a bad name.  But, there are also carbon fiber bows available today with beautiful, complex tonal characteristics.  The modern player can now choose from a wide range of carbon fiber bows.  Some produce dark, brooding tone colors and pair well with brilliant sounding cellos. Others produce a fantastically brilliant, projecting sound that pairs wonderfully with darker sounding instruments. 

Carbon fiber is lighter and more resilient than wood.  Indeed, our professional customers are frequently surprised, not just about the beautiful tone of these bows, but at the power, speed, agility, and ease of play, that is simply not possible with traditional materials.  Among students and teachers, carbon fiber has found a strong following, since fine bows can be consistently produced at a reasonable cost.  CodaBow in particular produces wonderfully made, well-cambered, responsive bows, at a great price.  

The key for the buyer, with so many bows available with such varying characteristics, is to find the bow that matches well to your instrument and style.  We specialize in helping our customers to do just that. Contact us now for a free consultation and a bow trial.

Brazilwood Cello Bows (i.e. Cheap Wooden Bows)

The term "Brazilwood bow" (technically a bow made from Brazilian tone wood) more commonly refers to any inexpensive wooden bow. These can be suitable for students, but often have mechanical problems such as warp, twist, or overly-flexible or overly-thick shafts, which make them difficult to play. They are commonly used in student rental programs, simply because they are so inexpensive. Note that Pernambuo is a Brazilwood, but the term has traditionally been reserved for bows made from higher-quality wood. These days, there are many bows being marketed as Pernambuco that would not measure up to our standards. We are very particular about what we sell as Pernambuco.

Characteristics of Cello Bows

  • Straightness - Warp, Twist: These types of problems are quite common in cheaper bows, and can cause significant problems for the player.
  • Stiffness - Strength, both toward the strings and side to side - A stronger, stiffer stick allows the player to increase pressure on the string without breaking the sound; it increases the upper end of the available dynamic range. However, all things being equal, a more flexible shaft will yield a warmerrounder timbre. An overly-flexible bow (common with cheap bows) will be difficult to play properly, particularly if the bow is too flexible in a side-to-side direction, preventing the player from tilting it to a proper angle. The highest quality Pernambuco wood is prized for its ability to produce both a full round tone and, simultaneously, allow the player to dig powerfully into the string, without the sound breaking.
  • Camber - A bow's camber refers to its curve toward the strings. A quality bow will curve gently and evenly toward the mid-point of the playing length of the bow. Poor quality bows may have kinks or flat spots where the curve is uneven, or may curve to a point other than the middle of the bow. A quality bow will also have the proper amount of camber, with the curve (when not under tension) arcing just enough to touch the hairline. A bow with uneven camber will have dead spots and an uneven sound. A bow with too little camber will be weak and difficult to play.
  • Weight & Balance - Weight and balance are separate, but related characteristics. The balance of a bow greatly effects the player's perception of its weight. A bow weighted toward the tip, for example, will feel heavier to the player. In terms of actual weight, a bow that is lighter will generally be faster and easier to handle, because there is less mass to move around and to vibrate. Heavier sticks tend to have a fuller sound, but can be more cumbersome to handle. Players have their own preferences for both weight and balance, and there is no correct measurement for either. Note that many players who think that they like a heavier or lighter bow, are actually referring to their preference for a tip-heavy or tip-light balance, rather than a preference for actual weight. It's also worth noting that lighter bows can be helpful for players with tendinitis or arthritis. Extremely light bows may allow the professional greater agility, but will require greater skill to control and keep steady.
  • Quality of Attack - By attack we refer to the way the bow interacts with the string at the start of the bow stroke. Both the sound quality and the speed of the attack are important playing characteristics. A bow the speaks more quickly can be very desirable when fiddling or playing demanding classical passages. A bow with a very clean, smooth, attack is advantageous for all players, but particularly for beginners. To a great extent, the highest quality bows are sought after for the ease with which they cleanly and beautifully articulate each bow stroke. A fine bow articulates so effortlessly that it feels as though it plays itself. Note that aside from the characteristics of the bow itself, the way a bow articulates is greatly effected by the choice of rosin and the quality and age of the bow hair.
  • Tone Quality - Quality of the Sustain - This is often the first thing that players listen for when purchasing a new bow. It is the most obvious (though, perhaps, not the most important) aspect of a bow's overall quality. How does the bow sound when playing long, sustained, tones? Is the overall quality of the sound pure and open, or more nasal and pinched? Note that the quality of the sound that carries to the listener is often quite different from what the player hears under the ear.
  • Tone Color - Does the bow produce a dark, warm tone or does it have a more brilliant quality? Brighter sounding bows are preferred by soloists for their power and clean articulation, but can also accentuate the harsher more sibilant qualities of the sound. A darker/warmer sounding bow will accentuate lower frequencies, but can run the risk of sounding dull or muddy when articulating.
  • Dynamic Range - How powerful is the bow; can the player draw out rich, full, powerful sounds? How does the bow respond to a lighter touch; how softly can the player play and still produce a clean tone? How do the tone colors and the quality of the tone change with various dynamics? How well does the bow articulate at various dynamic levels?
  • Agility/Liveliness - How easily can the player handle the bow? How well does the bow bounce? Do you like how it feels when playing off the string with a more brushy stroke? How does it handle when playing spiccato or sautille'?
  • Directional Changes - How easily are the bow's directional changes accomplished? How do they sound when playing legato, detache'?
  • Overall Palette - Does the bow offer a wide range of tone colors and articulations, altering with changes in pressure, speed, vibrato? Poor bows sound pretty much the same, no matter how they are played. Fine bows respond to the players motions with a range of colors and sounds. How expressive does the bow allow the player to be?

Cello Bow Hair

A wide range of horse hair is available for cello bows. Fine hair form Mongolian or Siberian horses is most common. Some players prefer white hair, but many of our cello customers have found a salt & pepper mix of white and black works well. Professionals seeking supreme hair with the richest, most complex tonality and articulation, sometimes seek out very fresh, Siberian stallion hair. The age/freshness of the hair can be gauged by how far it will stretch without breaking. (A strand of supreme, very fresh hair can be stretched full inches without breaking.) But, such hair is more strongly affected by changes in humidity (making the bow unable to tighten in humid weather, or unable to loosen in dry weather). It also stretches considerably over time, while on the bow. As such, it can be problematic for players and must be replaced rather more frequently than the usual hair available in shops.

Hair should be replaced or cleaned regularly - every 6-12 months as a general rule, though professionals often replace hair more frequently. If hair is missing or the bow cannot be tightened properly due to the hair stretching, then a rehair is necessary. If the hair is simply dirty, cleaning it will restore vitality and tone.