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Arcus Carbon Fiber Bows

$800 - $10,000
Light-Weight Carbon Fiber Bows for Professionals - Lightweight, Powerful, and Lightning-Fast
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  • Meticulously Crafted, Ultra-Lightweight
  • Lightning-Fast Response
  • Superb Handling
  • Brilliance & Projection - Ideal Soloist Bow
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  • Players seeking a bow with the richest, warmest possible tone tend to choose a traditional Pernambuco stick. However, the brilliance and projection, combined with the extraordinary handling and playing characteristics of Arcus bows, make them ideally suited for soloists and anyone seeking a very fast, articulate, lightweight, and responsive bow. Note: For discerning players, seeking the richest tone quality, we recommend considering Arcus level 7 and above.
Arcus S5 Carbon Fiber Violin Bow Arcus P8 Carbon Fiber Violin Bow Next Page
The Arcus S5 is a light-weight composite bow for professionals seeking a fast response and brilliant tone.
47 grams
The Arcus P8 is a light-weight composite bow for professionals seeking a superb response and balanced tone.
53 grams


CodaBow Carbon Fiber Bows

$290 - $840
Carbon Fiber Bows for Both Students and Professionals - Responsive and Well Balanced - Best Overall Choice in this Price Range
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  • Meticulously Crafted
  • Excellent Balance and Response
  • Safe for International Travel - No Ivory, Ebony, Abalone, Pernambuco, or Lizard Skin
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  • Although we believe the CodaBow line to be the best available in this price range, some players find that they prefer the tone of genuine Pernambuco wood, though comparably priced pernambuco bows tend not to be as responsive or well balanced, and often have mechanical difficulties.
CodaBow GX Carbon Fiber Violin Bow CodaBow NX Carbon Fiber Violin Bow Next Page
The CodaBow Diamond GX Violin Bow Produces a Rich and Powerful Tone.
61 grams
The CodaBow Diamond NX Violin Bow is an Excellent Choice for Advancing Students.
61 grams


Core Select Carbon Fiber Bows

$89 - $349
Inexpensive Carbon Fiber Bows for Those on a Budget
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  • Relatively Good Balance and Response
  • Good Structural Mechanics - Frog Well Seated, Hair Properly Installed, etc.
  • Exceptional Value
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  • Tone is Somewhat Harsh Compared to Better Quality Carbon Fiber Bows.
  • Somewhat Heavy Feel
  • Lacks Agility
CodaBow GX Carbon Fiber Violin Bow Core Select Model 300 Carbon Fiber Violin Bow Next Page
The Core Select Model 100 is a well-constructed, inexpensive, carbon fiber bow, suitable for beginners or as a backup bow.
60 - 61 grams
The Core Select Model 300 is a well-constructed, inexpensive, braided carbon fiber bow, suitable for beginners or as a backup bow.
61 - 63 grams


Guide to Violin & Viola Bows

Carbon Fiber Bows

$200 - $10,000
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  • High quality carbon fiber bows offer outstanding playability and response at minimal cost.
  • High-end models produce a rich, beautiful tone, comparable to that of Pernambuco.
  • Can be very light-weight without sacrificing stiffness/power.
  • Will not warp, twist, or lose camber.
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  • Low-end carbon fiber bows tend to produce a somewhat bright and edgy sound.
  • High-end carbon fiber bows (such as those from Arcus and CodaBow) produce a rich, beautiful tone, but some players still prefer the sound of real wood.
Carbon Fiber Bow

The making of bows from synthetic materials has made extraordinary advances in the last 50 years! Good news, when you consider the difficultly of obtaining fine pernambuco. Although pernambuco bows are still generally considered the best in the high-end market (with a few exceptions, such as the bows by Arcus), those looking to spend under $2,000.00 are finding that carbon fiber bows compete favorably in tone quality, and surpass pernambuco bows in balance, responsiveness, and playability. Companies like CodaBow and Arcus are making carbon fiber bows that are wonderful to play, and attractively priced. We highly recommend the CodaBow line for players shopping in this price range.

Carbon fiber bows should not be confused with fiberglass bows. Fiberglass is both less expensive and easier to work with than carbon fiber, but also lacks stiffness and is less desirable acoustically. There are some decent fiberglass bows on the market (suitable for beginners), but the most responsive and best sounding synthetic bows are carbon fiber.

Note: The term carbon fiber can refer to a variety of different composites, depending on the materials used to form the fiber. In the world of bows, the terms carbon fiber, carbon graphite, and carbon composite are used interchangeably, and sometimes have different meanings, depending on the manufacturer.

Fine Pernambuco Bows

$500 - $50,000 +
Traditional Wooden Bows - Finely Crafted from Select, Aged Pernambuco Pernambuco Violin Bow
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  • Finest Quality of Sustain & Richest Tone
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  • Mechanical problems such as warp and twist are common in bows under $2,000 - $3,000.
  • Quality of attack and response varies widely.
  • Generally, not as stable as composite bows.
  • Low-end pernambuco bows are generally not as well balanced or responsive as carbon fiber.

Many of the finest high-end bows are still being made of Pernambuco. It is stiff, light, and has desirable acoustic properties. Due to deforestation and embargoes, however, high quality pernambuco has become difficult and expensive to obtain. Professional players frequently opt for a fine pernambuco bow as their primary stick, though Arcus and CodaBow bows are becoming more and more common in professional circles. To find a responsive, well-made pernambuco bow, a starting budget of at least $2,000 to $3,000 is usually required. Less expensive pernambuco bows are available, but must be checked carefully for mechanical problems such as warp and twist. And, at that price, pernambuco bows are not generally as responsive or well-balanced as one would ideally hope for. A good carbon fiber bow is often a better choice.

International travel has increasingly become a concern for musicians with traditional bows. Pernambuco wood (Caesalpinia echinata) is classified as a Protected species under the Convention on International Trade in Endangered Species of Wild Fauna and Flora (CITES) and falls under the Endangered Species Act (ESA). Elephant Ivory, Madagascar Ebony, Abalone, Tortoiseshell, and Lizard Skin are other materials, commonly found on bows, which are Protected and can cause difficulty for musicians when passing through customs. Many musicians today are choosing to leave their fine pernambuco bows at home when they travel, rather than risking delays or even confiscation.

Unlike carbon fiber bows, which can be crafted with some consistency, every pernambuco bow is unique. Each is made by hand, from a different piece of wood, and has its own physical and acoustical characteristics. To inquire about what pernambuco bows we currently have available, please call us at 800-372-4151.

Brazilwood Bows

$50 - $500
Inexpensive Wooden Bows - Crafted from Brazillian Tonewoods Brazilwood Violin Bow
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  • Extremely Inexpensive
  • Quality of sustain is superior to comparably priced fiberglass bows.
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  • Mechanical problems such as warp and twist are common.
  • Cheap (weak) wood results in a shaft which is either overly-flexible or too massive and clumsy.
  • Quality of craftsmanship, and therefore response, is typically poor.

Brazilwood bows, with a few exceptions, are made from the least expensive wood and are crafted, assembly-line fashion, in bow factories. Though they can have a slightly warmer tone than comparably priced carbon fiber bows, they tend to have mechanical problems, i.e. warp, twist, as well as overly-flexible or overly-thick shafts, which make them difficult to play. They are commonly used in student rental programs, simply because they are so inexpensive.

Due to their poor quality, we stock very few Brazilwood bows. For our rental program, we've opted to use a comparably priced fiberglass bow, which has the advantage of being straight and stiff. To inquire about what Brazilwood bows we have available, please call us at 800-372-4151.

Note: The history of the terms Brazilwood and Pernambuco IS extremely complicated and the terms are often confused. There is a region in Brazil where the best wood can be found called the Pernambuco region. There is the Brazilwood tree - Caesalpinia echinata - also called the Pernambuco tree. There are numerous species of that tree and different qualities of its wood - i.e. heartwood vs. later-growth wood. However, a complete discussion is beyond the scope of this article. Suffice to say that, in modern terms, we usually call the best, most dense, even-grained, sap-free wood, from any of the species of the Pernambuco tree, "Pernambuco". And, we tend to refer to everything else as "Brazilwood".

Characteristics of Bows



  • Straightness - Warp, Twist: These types of problems are quite common in wooden bows under $2,000 - $3,000, and can cause significant problems for the player.

  • Stiffness - Strength, both toward the strings and side to side - High quality bows can be very stiff or more flexible. But, an overly-flexible bow will lack power and can be difficult to play properly, particularly if the bow is too flexible in a side-to-side direction, preventing the player from tilting it to a proper angle. High quality pernambuco wood is prized for its stiffness.

  • Camber - A bow's camber refers to its curve toward the strings. A quality bow will curve gently and evenly toward the mid-point of the playing length of the bow. Poor quality bows may have kinks or flat spots where the curve is uneven, or may curve to a point other than the middle of the bow. A quality bow will also have the proper amount of camber, with the curve (when not under tension) arcing just enough to touch the hairline. A bow with uneven camber will have dead spots and an uneven sound. A bow with too little camber will be weak and difficult to play.

  • Weight & Balance - Weight and balance are separate, but related characteristics. The balance of a bow greatly effects the player's perception of its weight. A bow weighted toward the frog, for example, will feel heavier to the player. In terms of actual weight, a bow that is lighter will generally be faster and easier to handle, because there is less mass to move around and to vibrate. Heavier sticks tend to have a fuller sound, but can be more cumbersome to handle. Players have their own preferences for both weight and balance, and there is no correct measurement for either. Note that many players who think that they like a heavier or lighter bow, are actually referring to their preference for a frog-heavy or tip-heavy balance, rather than a preference for actual weight. It's also worth noting that lighter bows can be helpful for players with tendonitis or arthritis.

  • Quality of Attack - By attack we refer to the way the bow interacts with the string at the start of the bow stroke. Both the sound quality and the speed of the attack are important playing characteristics. A bow the speaks more quickly can be very desirable when fiddling or playing demanding classical passages. A bow with a very clean, smooth, attack is advantageous for all players, particularly students. Note that aside from the characteristics of the bow itself, the way a bow articulates is greatly effected by the choice of rosin and the quality and age of the bow hair.

  • Tone Quality - Quality of the Sustain - This is often the first thing that players listen for when purchasing a new bow. It is the most obvious (though, perhaps, not the most important) aspect of a bow's overall quality. How does the bow sound when playing long, sustained, tones? Is the overall quality of the sound pure and open, or more nasal and pinched?

  • Range of Tone Colors - Does the bow produce a dark, warm tone or does it have a more brilliant quality? Brighter sounding bows are preferred by soloists for their power and clean articulations, but can also accentuate the harsher more sibilant qualities of the sound. Darker sounding bows are generally warmer in tone, but can be relatively muddy in articulation.

  • Dynamic Range - How powerful is the bow; can the player draw out rich, full, powerful sounds? How does the bow respond to a lighter touch; how softly can the player play and still produce a clean tone? How do the tone colors and the quality of the tone change with various dynamics? How well does the bow articulate at various dynamic levels?

  • Agility/Liveliness - How easily can the player handle the bow? How well does the bow bounce? Do you like how it feels when playing off the string with a more brushy stroke? How does it handle when playing spiccato or sautille'?

  • Directional Changes - How easily are the bow's directional changes accomplished? How do they sound when playing legato, detache'?

  • Overall Palette - Does the bow offer a wide range of tone colors and articulations, altering with changes in pressure, speed, vibrato? Poor bows sound pretty much the same, no matter how they are played. Fine bows respond to the players motions with a range of colors and sounds. How expressive does the bow allow the player to be?